Everything Divecut does

Divecut is what you open first — before Premiere, before Resolve, before you've decided anything. Plug in a card and every clip is already there: no import wait, no proxies to generate. See your Log footage in the color you shot it for, right in the grid. Rate and reject from the keyboard, search in plain words instead of scrolling, then send your picks to Resolve — in order, Log intact — for your editor to grade from the real file.

A footage browser for macOS and iPad. Your files stay where they are, nothing is uploaded, and nothing is rendered behind your back. Last updated August 25, 2026.

See it in the right color

Automatic Log detection
Reads what the camera actually recorded — maker notes, embedded XML, vendor boxes — instead of guessing from the picture.
16 conversions built in
Apple Log, S-Log2, S-Log3, V-Log, F-Log, F-Log2, N-Log, LogC3, LogC4, Log3G10, C-Log, C-Log2, C-Log3, D-Log, Blackmagic Film Gen5, and HLG.
Per-camera rules
Tell it once what a camera shoots. Every clip from that camera follows, including the ones you import next month.
Your own LUTs
Load any .cube and assign it per Log format, or point Divecut at the LUT folder your editing app already uses.
Badges that don't lie
“S-Log3” when the file says so. A quiet “709” when that is confirmed. “709?” when it is only an assumption. “RAW” for RAW. You can tell what is known from what is guessed.
Show the raw Log
Turn every conversion off with one switch to see the flat original. Display only — exports are unaffected.
Waveform and vector scope
Measured on the picture you are actually looking at, not on the untouched Log.
Focus and exposure readout
A focus score plus clipped and crushed percentages. Sort a folder by focus, flag the blown clips. Nothing is deleted for you — it marks and sorts, you decide.
Simple corrections
Exposure, contrast, saturation, temperature. Four controls, non-destructive, never written into your files.
Anamorphic desqueeze
1.33× to 2.0×, applied everywhere from the grid to the export.

Read the footage

Video
H.264, HEVC, ProRes and ProRes RAW, plus whatever else macOS reads. MXF / X-OCN once the professional codecs and a matching decoder are installed.
Portrait video, right side up
Clips shot vertically rotate correctly everywhere — grid, player and export.
Blackmagic RAW
Thumbnails, scrubbing and playback (video only).
Stills
JPEG, HEIF, PNG, TIFF and camera RAW — ARW, CR3, NEF, RAF, DNG, ORF, RW2 and more. Sony stills shot in S-Log3 or HLG are recognized and color-corrected the same way video is. When the OS cannot develop a brand-new camera yet, it falls back to the embedded preview rather than showing you nothing.
Audio files
Kept in the library alongside the picture. Divecut does not edit sound.
Metadata inspector
Camera, lens, exposure, color tags, Log format, audio layout. Read from the file every time you open it, not from a stale copy.
Timecode
HH:MM:SS:FF, so the numbers match what your editor shows.

Cull it

The whole review runs from the keyboard
Ratings, pick and reject, in/out points, send to tray, markers, undo. No dialog, no mouse.
Remap the keys
If the defaults fight your muscle memory, change them.
Filters
Unreviewed, picks only, hide rejects, minimum rating, hide exposure warnings. Bulk actions only ever touch what is on screen.
Scrub in the thumbnail
Hover or drag across a clip in the grid to see what is inside it, without opening it.
Multiple selection
Rate, tray and export many clips at once.
Markers
Several per clip, each with a color and a note — they arrive as timeline markers when you send the clip to Resolve.
Compare
Wipe or side by side — drag the divider to check focus and exposure against another clip.
Notes
Write on any clip. Notes are searchable, and travel to Resolve as Media Pool comments when you hand off.
Search in plain words
“waves on rocks”, “person on a bridge”. On-device AI looks at the footage for you. Nothing is uploaded — it works with the network off.
Jump to the moment
Open a hit and the playhead is already at the frame that matched.
Similar clips
Start from a clip you have and find the ones that look like it.
Metadata search
Camera, Log format, resolution, frame rate, duration, orientation, file type, rating, flag, GPS presence — filter on any of them, combined.
Collections and sorting
Virtual folders that never move a file. Sort by shot date, added date, duration, size or name.
Map
Where your GPS-tagged clips were shot, drawn from bundled vector data. No map service, no requests.
GPX import
Match a track log against timestamps to place clips that have no GPS of their own.

Hand it off

The tray
Collect ranges as you go, reorder them, and play the whole tray through before you send anything.
Fix a range without starting over
Click a tray thumbnail to reopen it with its in/out already loaded, adjust them, and save back to the same item — no delete-and-redo.
Drag out to any editing app
File references, Log intact. Nothing is copied or converted on the way.
One-click plugin setup
Point Divecut at your Resolve folder once and it installs — and repairs — the Workflow Integration plugin. No manual file copying.
Send to DaVinci Resolve
Ranges land on the timeline with the correct length, ratings and notes come along, and the viewing LUT arrives as a color group — applied, never baked. Your grade starts from the original file.
Lists for other tools
ALE for Avid, and a CSV of your selects with timecode, rating, notes and camera details.

Make new files

This is the only place where the conversion may be baked in — because here you are asking for a new file, not handing over the original.

Stills and video
With or without the Log conversion burned in. Your choice, every time.
Presets
Vertical and square for social, client review, proxy, or trim only.
Frame rate and aspect
Set them on export. Speed is never changed — lowering the rate drops frames, and raising it never invents new ones.
Contact sheets
A whole card on one page.
Combine the tray
One file, in the order you arranged. No transitions — this is a review copy, not an edit.
Batch transcode
A queue for converting many clips at once.
Verified copy
Card to disk with a hash check and multiple destinations, and the copy can be imported as it lands.
Rename clips
One clip: type a new name. Several at once: a prefix, the shooting date, and a running number. The one feature that touches your originals, and only the name — never the contents. It refuses to overwrite and rolls back on failure.

Look after the library

Your files stay put
Divecut stores references and its own metadata. It never moves, converts or rewrites your footage.
Follows a folder
Move or rename it in Finder and the library catches up on the next launch — ratings, ranges and search index intact.
Tells you what is missing
Footage that has gone offline is flagged instead of silently disappearing.
Repair menu
Rebuild thumbnails, re-read metadata, or clear out clips that have gone missing — one folder at a time or across the whole library. No “please reinstall”.
Card detection
Plug in a card and Divecut offers to import — after asking, never on its own.
Free tier that gives slots back
The first 100 clips are free. Detach a folder to free the slots — your ratings, ranges and notes stay, and putting it back restores everything.

Platform, privacy, and the small print

macOS 15+ and iPad
The same app. Everything works on both except the Resolve integration, which exists only on macOS because DaVinci Resolve does not run on iPadOS.
Seven languages
English, 日本語, Español, Deutsch, Français, 한국어, 简体中文. Switch without restarting.
No account, no cloud, no telemetry
The only network traffic in the whole app is the purchase check. Search, conversion and analysis all run on your machine.
Local API for tinkerers
An optional MCP server so your own tools can query the library. Off by default, loopback only, token required.

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